Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Julian Rodgers has a background in live sound and has been a Pro Tools user since He has been working in education since, during which time he has introduced many new users to Pro Tools. You’ll also be sent a code to redeem a free part ‘Revoice Pro 4 Explained’ package from Groove3 with over 2 hours of tutorials to get you up and running. Just click the button below and complete the form and you’ll be sent an email with all the instructions on how to download, install and activate. Not surprisingly, the Double process addresses this allowing you to create automatic double tracks by modulating the pitch and timing of the duplicate. The ability to manipulate and even redraw the curves of note transitions is at times a revelation and reminds you that often what we value is not necessarily perfect pitch, but rather increased control.

As a long term user of the more basic Melodyne packages I thought Warp sounded great. The Warp process is where all of your manually applied vocal tuning will be managed. While this was described by the incredibly attentive support staff as a known trade off rather than a bug, I think it warrants further attention. Many of these adjustments result in immediate process updates and in a few cases a resultant lag in fader response was produced on all test systems. While the factory settings were a good starting point, I preferred to refine and store my own settings. Preset settings can be saved for different applications and shared with other users. All can be opened and tweaked at any time. These settings configure either the algorithms used to analyse the pitch and timing of audio, in the case of Warp, or define the processing settings for APT and Double. What follows is a further settings dialogue for that specific processing instance. A dual monitor setup may have helped but a mapped MIDI transport would have been ideal. On these frequent occasions the Revoice transport stopped while the rest of the project continued. Of particular frustration was my instinctive use of the spacebar to stop the track while the Revoice window was in focus. Once a link is enabled, Revoice slaves its playback to the transport of the linked DAW, with a mix of all active tracks fed back to an auxiliary return channel in your main project.ĭespite the smooth setup I must confess to finding it tedious constantly switching between application windows. While not quite automatic, configuring this connection was straightforward and worked as expected. This is particularly convenient for later tweaks.

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